this is what LA gets as its public art most of the time….. Oh well… at least its bright even though it looks like the start of a high school friendship bracelet… 
hydeordie:

Choi Jeong-Hwa Welcome 2009
You know how I have been really upset about the lack of discourse surrounding this over-the-top piece at LACMA? Well, who else but my favorite, Christopher Knight of the LA Times, to answer my plee:

A decade ago, New Yorker art critic Peter Schjeldahl famously coined the term “festival art” for this 1990s development. LACMA repeats it out on Wilshire Boulevard with Choi Jeong-Hwa’s party-bunting of red, yellow and blue ribbons gift-wrapping the Ahmanson Building. Titled “Welcome,” Choi’s installation is a decorative adornment as fitting for a Hyundai showroom as for an art museum. via…

this is what LA gets as its public art most of the time….. Oh well… at least its bright even though it looks like the start of a high school friendship bracelet… 

hydeordie:

Choi Jeong-Hwa Welcome 2009

You know how I have been really upset about the lack of discourse surrounding this over-the-top piece at LACMA? Well, who else but my favorite, Christopher Knight of the LA Times, to answer my plee:

A decade ago, New Yorker art critic Peter Schjeldahl famously coined the term “festival art” for this 1990s development. LACMA repeats it out on Wilshire Boulevard with Choi Jeong-Hwa’s party-bunting of red, yellow and blue ribbons gift-wrapping the Ahmanson Building. Titled “Welcome,” Choi’s installation is a decorative adornment as fitting for a Hyundai showroom as for an art museum. via…

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